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November 25, 2008

edu.blogs.com - 7th most reach in the UK online scene

Red phone box For the first time NowPublic have done their metrics testing of who, in the UK, has the most reach in terms of broadband broadcasting, and I'm delighted to be pitched at No. 7 amongst some stellar company.

“The goal of NowPublic’s MostPublic Index is to measure—on a completely transparent, metric-driven basis—who has the greatest digital reach and is most effectively broadcasting their own personal brand online,” said Leonard Brody, CEO of NowPublic.


Worthy of note is that I'm three places ahead of big bro, Neil (well, you've got to have some brotherly competition, no?) and a bevvy of Guardian blogerati, and just ahead of comic legend Stephen Fry and BBC political blogger Nick Robinson. Also blushing to be ahead of the guy who really pushed me into working on my tod, Euan Semple.

There are some other great blogs and sites to try out there, and vary your reading list a bit. I bet that's what people are saying about my blog (who/how/why the hell..?)

Pic; Red boxes


November 24, 2008

Links for 2008-11-23 [del.icio.us]

  • Mark Millar - Wikipedia, the free encyclopedia
    Mark Millar (born December 24, 1969) is an award-winning Scottish graphic novelist born in Coatbridge. Now a resident of Glasgow, Millar has been the highest selling British comic-book writer working in America this decade.
  • Grant Morrison - The Official Website | Home
    Graphic novel and comic illustrator/writer
  • Malcolm Gladwell: Presentations from Gain 2008: Gain: AIGA Business and Design Conference 2008: Events: AIGA
    Presentations from Gain 2008 Gain: AIGA Business and Design Conference October 23–25, 2008 Malcolm Gladwell (introduced by Josh Liberson) Outliers: The Story of Success Filmed on: October 25, 2008 Length: 38:53 * Send to a friend del.icio.us ma.gnolia digg About this video Only Malcolm Gladwell could bring Fleetwood Mac into the design discussion and make wonderful sense. In his enlightening talk about innovation and misconceptions about what it takes to become a success, Gladwell uses this unlikely metaphor for creative synthesis in an entertaining entrée into the concepts of his forthcoming book, Outliers. Genius and creativity don’t necessarily spring forth unbidden, he says; they require time and support to experiment, to try and even fail. During this time of economic crisis and eventual renewal, he hopes that the design community will be able to “rediscover the true roots of creativity and innovation.”


November 23, 2008

World War One in colour

WW1
It's a week late, perhaps, for some topical teaching but astounding nevertheless. Der Spiegel has published several collections of old colour photos, but this set of WW1 trench warfare in colour just reminds us that the world wasn't played out in black and white before the 50s.


The fascists' names are leaked... crowdsourcing finds its place

BNP Heatmap Earlier this week the UK's very own "Nationalist Party", the BNP, had the misfortune to leak its member list, showing the names and addresses of racists, fascists and those who "don't want that kind of person taking our jobs". It's been citizen-created mashups of this data that have made the news.

To republish the list would be illegal, so newspapers such as the Guardian printed the numerical stats on line-art maps. Far from breaking the law, it was crowdsourcing that came up with a better solution, both allowing us to see how many BNP-ers are on our doorstep without revealing their names and exact locations. Cue the anonymous, but powerful, BNP member Google Heatmap, which has since allowed our Government ministers to realise the pockets where local politics lets people down.

These are some of the subversive uses of technology that keep an eye on money and power that we are keen to support further through 4iP. We've got a few on the boil, so keep your eyes peeled for them.

Thanks to Stuart on the 38minutes blog for highlighting it.



November 22, 2008

We're all in the Connected Generation

Cow pat Nothing turns me snarky more than the assertion that 'we' are but hapless Ned Luds by comparison to 'them', the bright young 'digital natives' (eurgh...) that make up Generation 'Y' (double eurgh), the connected generation who "live through the screen" (pass me a mop and bucket). Such clichés can be heard in almost every educational, future-gazing keynote and workshop one might care to attend and, for my money, are worth nothing more than the potential for a jolly good round of bullshit bingo to keep us entertained during yet another "21st Century Learning" tyrade.

But I've found a great piece on the brilliant and long-standing Mobile Youth blog which explains clearly why I find the gen-y stuff so irrelevant and enraging:

Consider, for example, the parents - are they not also a connected generation? Doesn’t almost every 30-39 year old executive and office worker live out most of their days staring at a screen? On the way to the office they stare at their blackberries, followed by 9 hours of staring at a larger screen. The more active of this demographic will squeeze in an hour at the gym where, you guessed it, they stare at a screen. Evening activity involves starting at a screen.

Almost every economically active individual today is “connected”, so the fact that it is only youth that are connected, is a myth.

Hurrah. Now all we need to do is work out whether the average keynote presenter is 'economically active' when their audiences appreciate the hot air rising from their rhetoric.

Pic: Cow pat


Links for 2008-11-21 [del.icio.us]


November 21, 2008

Links for 2008-11-20 [del.icio.us]


November 20, 2008

Ewan at Obama's acceptance speech

I've been getting Twitter messages all day about my impromptu appearance during CNN's coverage of Obama's acceptance speech. One for the grandchildren, perhaps, to show how technology really does make the world a smaller place...

(I should point out that this is not me, but my doppelganger. And it is not a photoshopped pic. My wife is completely freaked out, as am I. I now want to meet this guy and see if he's like me, too. Anyone know who this Democrat is?)


Links for 2008-11-19 [del.icio.us]

  • Twitter / Dostoyevsky
    Fyodor Dostoyevsky (or Dostoevsky) was a Russian novelist and writer of fiction whose works include Crime and Punishment and The Brothers Karamazov


November 19, 2008

Links for 2008-11-18 [del.icio.us]


November 03, 2008

On thanking the British pubic

It was tonight as our dear Spanish entrant to The X Factor gave her thanks to "the British pubic" that was reminded of a) the importance of getting your phonemes right (how I tried to get that point across while teaching it in France) and c) my second favourite Taylor Mali poem, after this one. Enjoy.


This is what 4iP is (not)

2989272422_7f62141579_o
For those who weren't sure of what it was I'd be looking for in 4iP's future commissions, voilà.


October 31, 2008

Making the world feel smaller

Chinese package
This is a beautiful story of serendipity and the good will most people have towards one another, going out of their way to make a small but hugely arresting action. I'm glad to say that, in my experience, the social web has meant experiences like Mitchell's have happened to me more and more as the scope of the social web expands. Six degrees apart seems far now. It's more like two or three.

The only thing that stops us seeing it is that the mainstream channels of communication used by the majority of us rarely have an opportunity to capture this in what's left of that evening's broadcast on trivia, disaster and evil.


October 26, 2008

4iP launches: the innovation's already started

Sunday Herald

Channel 4 is pinning its hopes on digital mavericks (that means you), the headline on today's Sunday Herald feature on 4iP. It's not a bad piece for setting out some of the context of '4 Innovation for the Public', the new element of Channel 4 for which I am its first (and currently only) Commissioner. It also sets out the importance we place on getting some great ideas turned into tangible mobile, web or game-space as soon as possible.

Ross picks up on the potential for what's to come in his blogged summary of Wednesday's briefing and stakeholder event in Glasgow, stressing the potential that starts in 38minutes for companies and individuals to club together with their skills and aptitudes, creating projects that with the traditional boundaries and disaggregation of the creative industries would not be possible: “There’s more insulation on Scottish agencies than on most hot water tanks”...

Turning connections into collaborations

38minutes is an interesting example of what small amounts of money - or no amounts of money - can do while creating significant impact. A few people have sneered (via email or even to my face) about the perceived 'cheapness' of using Ning as a platform for connecting and collaborating, but the impact of this network, like all others, is not to be found in its code but in the people who choose to devote some time and effort to collaborating on it. And for that, 38minutes has been a roaring success.

In Scotland and Northern Ireland we see a fairly disaggregated creative economy, the elements of which have rarely connected with each other beyond cliquey friendships and haphazard arrangements.

In Dundee we have some of the world's greatest game-makers (most of the titles you play on the Wii, DS, XBox and PS3 come from here) and, like in Edinburgh, a spattering of incredibly talented graphic artists and new media workshops. In Edinburgh, alongside these you can find some of Britain's top creative talent from the PR, ad and marketing scenes, as well as world class Artificial Intelligence research and business coming from the universities. Meanwhile, Glasgow has tended to support a strong independent TV scene, spawning a multitude of new media companies covering every size of screen you can imagine.

38minutes.co.uk has not been marketed, sold or advertised. Initially, its Channel 4 members told seven people about it. One month on we're approaching 400 members, all of them top class new media producers from one of these sub-sectors, ready to collaborate on the next generation of public service... well, not broadcasting.

What we're after is anything that is not telly, but which helps change the lives of people in Britain, and which may have the potential to change the lives of people wherever else they may be. By not being about broadcasting, limited by the geography of transmission towers, 4iP could create projects that have a global impact on the way we use, adapt, share, manipulate data, create change and improve the world around us.

So, having already turned around a few ideas submitted through the online proposals system since our launch in Scotland this week, never has there been a better time to get to know your colleagues in the new media business, suggest your ideas and land a 4iP commission in the coming weeks and months. *

* Make sure you read the ethos of the fund before applying, and that you are or are prepared to start living, working or spending your production budget in Scotland, Northern Ireland or one of the other regions in which 4iP is working.

Pic credit


October 25, 2008


October 24, 2008


October 23, 2008

McIntoshes working in interesting times...

Having appeared in the Wall Street Journal stateside a few weeks ago, little could I have known what sexy new role the financial press would take on as we struggle to understand what's going on around us. I don't know if my big bro Neil could've known either, but congrats to him on being made Editor of the WSJ.com Europe edition. Where would you start on innovating online publishing, as he's done in the Guardian these past 'n' years, when the thing you write about is collapsing around your ears? Looking forward to seeing the answer unfold in the coming months and years.


October 18, 2008

Links for 2008-10-17 [del.icio.us]


October 16, 2008

Links for 2008-10-15 [del.icio.us]


October 15, 2008

Links for 2008-10-14 [del.icio.us]

  • Superstruct: Survivability FAQ
    Rewards structure in the game, where you have to participate as a citizen of 2019.
  • Superstruct - news
    Packed with information and breaking news that affects the community
  • Superstruct! ARK 2019
    One of the user-generated subgroups that make up the Superstruct ARG. ARK (Art Replacing Knowledge) was founded as a global arts collective in 2013. As the social balance became more and more volatile, the value of art shifted from the public to privatized interests. Artists were no longer driven by their responsibility to the muse or society but rather by the will of their funding sponsors. An artist without backing was marginalized to obscurity, and those with funding were obligated to follow the ‘company’ line. The social value of arts was reduced to entertainment and its success measured by its monetary popularity. People turned away from the arts as a solution, regarding them instead as an escape, and the artists as escapists. And so, the members of ARK started the movement to escape. Not literally, but through artistic metaphor.
  • Dealing With The Media « Superstruct! ARK 2019
    Futuristic blog post written in 2019 about the decline of mainstream media, using current, real hyperlinks to explain the point
  • Flickr: Lost in Text
    Photos of people lost in their own text-messaging world. Only photos showing people texting, not just pictures of phones and screens and preferably people ignoring the world around them whilst texting. Please tag all photos with lostintext.
  • 3,000 hours of history go online
    It will make news reels, story packages and stills available to staff and students at Newsfilm Online (www.nfo.ac.uk). Content can be downloaded for use in classes and lectures or as part of research projects. The resource will include news stories, unreleased content, single subject documentaries and unedited footage, plus 25,000 items of supporting content, such as scripts and running orders.
  • Grannymar » I was out last night
    Grannymar pleased with her table :-) I was invited by to join the table of Channel 4 TV who were one of the Sponsors of the evening and Stuart Cosgrove *and* Ewan McIntosh presented two of the prizes.
  • Alan in Belfast: The Slugger Awards - for the wee guy and the big names
    Yet another italicised mention of my presence in NI... getting paranoid now :-) Did I get the feeling that Channel 4 - one of the sponsors - are trying really hard to get a foothold in Northern Ireland as they set up the local outpost of their 4iP digital media initiative and build links with the local digital and media community. Stuart Cosgrove *and* Ewan McIntosh both in attendance to hand out awards!
  • Dirty disection of London 2012 logo « Interestingness
    Oh dear... Many months ago I wrote my opinion about the London 2012 logo, so I’m not going to rehash that here. What I do want to point out, is a what I heard on an episode of Mock the Week recently. That the logo looks surprisingly like Lisa Simpson performing felacio on a headless man. Now, unfortunately, that’s all I see…
  • Avant Game: Superstruct Sneak Preview - The "How to Play" Video
    How to join in the fun of superstruct
  • When the Wind Blows | MetaFilter
    This is the Wartime Broadcasting Service. This country has been attacked with nuclear weapons. Communications have been severely disrupted, and the number of casualties and the extent of the damage are not yet known. We shall bring you further information as soon as possible. - The BBC releases its script for use in the event of nuclear war.
  • Herd - the hidden truth about who we are: Ghostbiking
    First sightings were in St Louis (some say San Francisco) in 2003 but since then 68 cities in 28 countries have seen these simple - white-painted bike - shrines to make fatal bike accidents
  • threebillion.com
    100,000,000 views delicious digg this Technorati Blinklist Furl reddit Avril Lavigne: A YouTube Legend 7th Sep 2008 Now that sounds like a massive call, but it is 100% true. In the last couple of days, Lavigne's video for Girlfriend has accomplished two astounding landmarks. Firstly, it has become the most popular video on YouTube of all time. The Evolution of Dance (which has really defined YouTube for the last 3 years) has been shunted it to second (thank you Avril). Secondly and most importantly, it is the first video to have racked up more than 100,000,000 views. To twist it another way, that's the same as 1 in every 60 people in the world watching it on YouTube.
  • Rubbishcorp ® .::. 100,000,000 :
    A ‘cheating’ (or clever, depending on how you look at it) AvrilBandAids.com have created a way to hoodwink the YouTube system. When fans open a browser on the YouTube page, the video is auto refreshed every 15 seconds, thus helping promote the video by being able to ‘view’ it some 5,000+ times per day. I guess whichever way you do look at it, it doesn’t really matter - Lavigne made it to 100,000,000 before anyone else and that will never be up for debate.
  • The DO Lectures | 4th - 8th September 2008
    Let the Doers of the world inspire the rest of us. The Do lectures are all about getting a handful of speakers together in one place, in the hope that they may inspire you to go Do something. To give you the tools and the desire to change the things you care about.


Links for 2008-10-14 [del.icio.us]

  • Superstruct: Survivability FAQ
    Rewards structure in the game, where you have to participate as a citizen of 2019.
  • Superstruct - news
    Packed with information and breaking news that affects the community
  • Superstruct! ARK 2019
    One of the user-generated subgroups that make up the Superstruct ARG. ARK (Art Replacing Knowledge) was founded as a global arts collective in 2013. As the social balance became more and more volatile, the value of art shifted from the public to privatized interests. Artists were no longer driven by their responsibility to the muse or society but rather by the will of their funding sponsors. An artist without backing was marginalized to obscurity, and those with funding were obligated to follow the ‘company’ line. The social value of arts was reduced to entertainment and its success measured by its monetary popularity. People turned away from the arts as a solution, regarding them instead as an escape, and the artists as escapists. And so, the members of ARK started the movement to escape. Not literally, but through artistic metaphor.
  • Dealing With The Media « Superstruct! ARK 2019
    Futuristic blog post written in 2019 about the decline of mainstream media, using current, real hyperlinks to explain the point
  • Flickr: Lost in Text
    Photos of people lost in their own text-messaging world. Only photos showing people texting, not just pictures of phones and screens and preferably people ignoring the world around them whilst texting. Please tag all photos with lostintext.
  • 3,000 hours of history go online
    It will make news reels, story packages and stills available to staff and students at Newsfilm Online (www.nfo.ac.uk). Content can be downloaded for use in classes and lectures or as part of research projects. The resource will include news stories, unreleased content, single subject documentaries and unedited footage, plus 25,000 items of supporting content, such as scripts and running orders.
  • Grannymar » I was out last night
    Grannymar pleased with her table :-) I was invited by to join the table of Channel 4 TV who were one of the Sponsors of the evening and Stuart Cosgrove *and* Ewan McIntosh presented two of the prizes.
  • Alan in Belfast: The Slugger Awards - for the wee guy and the big names
    Yet another italicised mention of my presence in NI... getting paranoid now :-) Did I get the feeling that Channel 4 - one of the sponsors - are trying really hard to get a foothold in Northern Ireland as they set up the local outpost of their 4iP digital media initiative and build links with the local digital and media community. Stuart Cosgrove *and* Ewan McIntosh both in attendance to hand out awards!
  • Dirty disection of London 2012 logo « Interestingness
    Oh dear... Many months ago I wrote my opinion about the London 2012 logo, so I’m not going to rehash that here. What I do want to point out, is a what I heard on an episode of Mock the Week recently. That the logo looks surprisingly like Lisa Simpson performing felacio on a headless man. Now, unfortunately, that’s all I see…
  • Avant Game: Superstruct Sneak Preview - The "How to Play" Video
    How to join in the fun of superstruct
  • When the Wind Blows | MetaFilter
    This is the Wartime Broadcasting Service. This country has been attacked with nuclear weapons. Communications have been severely disrupted, and the number of casualties and the extent of the damage are not yet known. We shall bring you further information as soon as possible. - The BBC releases its script for use in the event of nuclear war.
  • Herd - the hidden truth about who we are: Ghostbiking
    First sightings were in St Louis (some say San Francisco) in 2003 but since then 68 cities in 28 countries have seen these simple - white-painted bike - shrines to make fatal bike accidents
  • threebillion.com
    100,000,000 views delicious digg this Technorati Blinklist Furl reddit Avril Lavigne: A YouTube Legend 7th Sep 2008 Now that sounds like a massive call, but it is 100% true. In the last couple of days, Lavigne's video for Girlfriend has accomplished two astounding landmarks. Firstly, it has become the most popular video on YouTube of all time. The Evolution of Dance (which has really defined YouTube for the last 3 years) has been shunted it to second (thank you Avril). Secondly and most importantly, it is the first video to have racked up more than 100,000,000 views. To twist it another way, that's the same as 1 in every 60 people in the world watching it on YouTube.
  • Rubbishcorp ® .::. 100,000,000 :
    A ‘cheating’ (or clever, depending on how you look at it) AvrilBandAids.com have created a way to hoodwink the YouTube system. When fans open a browser on the YouTube page, the video is auto refreshed every 15 seconds, thus helping promote the video by being able to ‘view’ it some 5,000+ times per day. I guess whichever way you do look at it, it doesn’t really matter - Lavigne made it to 100,000,000 before anyone else and that will never be up for debate.
  • The DO Lectures | 4th - 8th September 2008
    Let the Doers of the world inspire the rest of us. The Do lectures are all about getting a handful of speakers together in one place, in the hope that they may inspire you to go Do something. To give you the tools and the desire to change the things you care about.


October 14, 2008

danah boyd on handheld social networking

Danahboyd

"New technology is the devil incarnate. We should go back to the good old days"
"New technology is the panacea we've been looking for."

The reality is much more nuanced than that. It's not about the good or the bad (it's not about pedagogy vs technology, the unfortunately entitled panel session I'll be on later).

danah boyd is talking about teaching young people to think, by taking a look through the viewfinder of social networks and the mobile devices we are already and will increasingly use to access, connect and share on.

It's about teaching young people to think. The reason we taught literature, film, mathematics in the past was to provide a reason for people to think. The introduction of technology alone will not necessarily help young people think. Worse still, technology is seen as a means of unleashing new cash, in a cynical way ("we have all Macs")

We don't just teach algebra to teach algebra. We teach it to help understand the world around us. When we think about teaching (with) technology we have to think about how it fits into this world around us.

That's hard.

Technology is fundamentally taking apart the world around us. Technology opens up the potential to access much stuff around the world, with the teacher and their rear view mirror allowing the context and meaning of that to be brought to light.

The contexts of social networks
Social networking sites have three core structures that make them work:
1. Profile
When we enter a room we tend to take some thought about decorating ourselves: what we wear, do we put on that tie...? Online we are an IP address, a rather undecoratable unappealing code. Therefore, where we create a SNS profile we're taking some care to create a presentation of ourselves within a space. Bedroom culture is the same, but on social networks it's amplified.

2. Friending
There are three clusters of behaviour: 30-40 friends, worried about their nearest and dearest. 300 friends are all the people they met at school, at church at the youth group. Very few teenagers collect Friends (politicians, music), reaching into the hundreds of thousands of friends. Mostly they're boys, collecting "hot girls". They're creating that list that, apparently, lots of boys used to make on paper.

But whether someone is your friend or just your Friend becomes socially awkward. In girl culture girls grew out of the habit of exchanging friendship bracelets to work the equivalent online.

3. The Wall
Comments, testimonials, the wall... in the early days of SNSes, people spoke in the third person about their friends (and still do on LinkedIn, inhabited by older professionals). Later, it began to be used as a space for conversation that complimented other places where conversation was going on (IM, chat).

Looking at it as a stream of text one could be mistaken as meaningless "how are you", "fine", "you?", "OK"...
What's going on is "public social grooming": it's a way to upkeep your social status as friend which, after all, is only a check box at the beginning of the online Friendship.

Why are young people spending so much time on MySpace?
We used to have permission from our parents to roam really far. Nowadays, the circle of navigation has been greatly reduced to the garden, out of public view. We've also tended to programme the lives of our young people more than we ever did, meaning we leave less time than ever for them to socialise.

Other characteristics of online interaction

  • Persistence
  • Replicability
  • Unexpected scalability and visibility
  • Invisible audiences
  • Searchability. collapsed contexts (type of audience, rules of engagement, social scripts)
  • Convergence of public and private

danah reckons than social network structures will go mobile soon, within two years. I would bank on them coming a lot sooner than that, given that many of those with the better phones can already and do already interact on their various SNSes through mobile. In the UK, 3G is cheaper and more ubiquitous than most places on the planet, so we can expect it sooner here.

Location-awareness is increasing, making the network part of social networking even stronger.

Knowledge is online, and when we don't know it first time around we access just in time when we're mobile.

Notes of her talk, as usual, riddled with errors and unreliability.


Links for 2008-10-13 [del.icio.us]

  • Millennial Marketing: Media That Moves Millennials
    TV is still important in the mix: All of this data suggests it would be unwise to overlook traditional media when attempting to reach Millennials and drive them to act. But before we get carried away --or you suspect that I am actually working for the Magazine Publishers of America -- it should also be noted that the same pattern holds for most other age cohorts. The biggest takeaway is the old notion that it's all about the mix -- put your GRP's in multiple media baskets.
  • Wonderland: Operation: Sleeper Cell
    ARG for cancer research: The Agency need your help. They've teamed up with Cancer Research UK to thwart an evil organisation cunningly named 'E.V.I.L'. Your mission is to unlock various sleeper cells hidden many years ago and represented as a square on the grid. Given the right amount of cash you can kick the cells back into action. Some will give you a mission, some contain special operations and live events, but every one will help us and Cancer Research UK in our mission.
  • Mp3 Experiment San Francisco Details at Improv Everywhere
    Here's how flashmobs are organised through blog posts - more complicated instructions than when it's by text message. The iPhone age leading to complexity?
  • Leisa Reichelt's social anaysis on why Twitter's not a waste of time
    What we’re doing is transplanting a natural face-to-face behaviour, phatic expressiveness. Asking why people update their status is like asking “why do you smile at someone?” or “why do you ask how I am?”. It’s just social communication, there’s no meaning or information. It’s like that conversation when you meet someone and you want to ask them a favour, but you have to do a social dance first. You have to pay your dues socially, then you can ask what you want.
  • TheCavesOfMull » home
    What we’re doing is transplanting a natural face-to-face behaviour, phatic expressiveness. Asking why people update their status is like asking “why do you smile at someone?” or “why do you ask how I am?”. It’s just social communication, there’s no meaning or information. It’s like that conversation when you meet someone and you want to ask them a favour, but you have to do a social dance first. You have to pay your dues socially, then you can ask what you want.
  • Tom Harper
  • channel4.com - bite
    Alerting all trend seekers! 6 girls and their cars investigating Britain's freshest trends means one thing - bite season 2 is here.


October 13, 2008

Subverting democratic process for democracy: video republic

One of the challenges of 4iP is to create some projects that help us all get more direct democracy than current 'democratic' systems afford. Apparently we needn't try too hard: YouTube's doing it already.

The systems have been unable to change quickly enough (or at all) beyond the 'safe' model that encourages elites to represent us (as Billy Connolly has said: anyone who wants to be a politician should, as a consequence, never be allowed to become one). Social media means we don't have to continue down the path of this elite choosing which issues are important enough to take on; we can use the wisdom of the crowd to filter and prioritise issues, and even get around to sorting some of those out amongst themselves.

The new fascinating read from Demos on the "Video Republic" shows just how far YouTube and other video sites have gone in opening up alternative democratic routes for youngsters. And, true to form, there's a YouTube video explaining this, too.

John Connell picked the item up
from this parish's online bookmarks and has speedily summarised the main issues, all of which touch on areas that still require development, though, or just cogniscence by those in positions of power to do something about it. Basically: there's more to be gained from us all, foot soldiers and political or decision-making elites, harnessing the power that online video has unleashed:

  • Preparing young people for ‘digital citizenship’
  • Liberating the audiovisual creative commons
  • Broadcasters, both public and private, should release the audio-visual material gathering dust in their archives rather than ensnaring it in complex and expensive digital rights disputes.
  • A digital copyright amnesty:
    There are some categories of older public service broadcast material that could be afforded Creative Commons status. This process could be encouraged by a digital rights amnesty where copyright holders relinquish ownership to the public.
  • Tackling unsuitable content:
    Rather than looking to censor online content – which has been shown to be ineffective - regulation should be based on developing peer or community led censorship and age ratings. Video-hosting platforms should enable involve users in what content to include and exclude on their sites.
  • Internet social responsibility
  • ISPs, video-hosting services and social networking sites should pool a small portion of their profits into a foundation to support video making, widen internet access.
  • A ‘virtual video-making academy’ funded by the private sector would improve the quality of videos on and offline.
  • Setting the statistics free:
    Most important information about online activity still remains out of reach of the public. Video-sharing platforms should collaborate with bodies such as national statistics agencies and academic institutions to release statistics.
  • Connecting the ‘republic’ with mainstream politics:
    Political figures need to avoid using online video to communicate in the same way that they would use television. Instead they should find innovative ways of harnessing the enthusiasm of their supporters.
  • Official bodies like the Central Office of Information should initiate the creation of short videos that detail the processes of democracy, decision making and public service in the UK.

All of these could be met with "it's easier said than done"; it would be rather cool for 4iP to just do it rather than talking about it.


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