I bailed very early on from attempting to configure my connectivity to WOW and Everquest.  Some success was gained in accessing the latter, but even 100mbps (via an ethernet connection rather than wireless at home) my Asus EEEPC struggled.

Yes, I may have played using better equipment, but I thought that a 10mbps connection to the internet via Virgin and  2Gb of RAM would have given me *some* experience.

As for WOW, I was very disappointed: a recursive problem with registration/configuration meant that I never got to access and enter the WOW universe, just a browser redirect to a-n-other game site. 

So, are these games really geared towards the Internet and the average user? Or are they still a niche genre that only harnesses the Internet for connectivity - effectively power-hungry desktop applications calling for similar high-end distributed demands?

This was a question I posed to my S2 class shortly before giving then an end-of-term creativity exercise, whereupon they were to design their own game (individually or in groups not exceeding 4) based on the 'mapping learning objectives', Concept Specification and Functional Specification templates provided by Whitton.  

As may be discerned, the overwhelming response focused not on a list of the subjects that they learned but the pupils invariably produced 'answers' which focused on the social aspects of school where "perceptions of the self and others are socially determined and constrained" (Lee and Hoadley, p.2).  This fortnight, Weeks 10 & 11 the Readings on Massively Multiplayer Online Games (MMOGs) explores the idea of virtual exploration of socialization as identity.  This interaction and exploration is evident in the 'roles' identified by the S2 pupils, who themselves are equipped and expected to produce versions of themselves in talk and creative writing, "and learning takes place during this enactment" (ibid., p.5).

MMOs are more flexible, draw on more than two or more senses and still allow thinking "from an alternate point of view and experiencing events situated in context helps students maintain interest and facilitates learning while the student grows into the alternate identity [and when] when students have a direct investment in the learning experience, they will more readily embrace their new knowledge as a vital component of their own personal growth and development" (ibid., p.5).

References 

Lee, J., and C. Hoadley. 2007. Leveraging identity to make learning fun: Possible selves and experiential learning in massively multiplayer online games (MMOGs). Innovate 3 6).
http://www.innovateonline.info/index.php?view=article&id=348 (accessed April 24, 2008).

As with the classroom, players/participants work towards a common purpose, irrespective of race, class, gender, etc. This idea of common purpose and objective of all school pupils must be conveyed to pupils and allow them to acknowledge that it is their interest to work in partnership in order to support each other through their strengths and weaknesses (known as 'jigsaw method' defined by Brown & Campione (in Kate McQilly Ed. Classroom Lesson's: Integrating Cognitive Theory and Classroom Practice).

The idea of identity resurfaces, recalling the notion of 'multiple identity' whereby in such affinity groups "the norms and values of groups are contested and negotiated" (p. 184), bearing in mind that players - and us - modulate across a continuum of identity depending on context.  He finishes noting that this 'identity' should not only be in control but one who can modify content and the process itself.

These ideas accord with my periphery readings of Richard Riding's School Learning and Cognitive Styles where learners are negotiated into two dimensions of 'learning style' - wholist-analytic & visual-verbal.  In relation to the  affinity group that Gee promotes, Riding suggests that they, the learners, can work in partnerships that take into account differences / discrepancies in different learner types.  I think that this may have a significance in the successful presentation and reception of learning activities derived from digital games, and when you factor in collaborative learning I think that it is equally appropriate to look at compensatory pairing/grouping in addition.  

http://www.encorewiki.org/display/~hnajafi/Communities+of+Learners

The binding medium is generally the Internet, drawing on other forms of media. 

My understanding is that it is an inversion of the classic computer gaming paradigm, whereby the real-world characters are controlled or undertake a computer-generated narrative.

Where I think uLearning is interesting within this particular genre of gaming is that a context-aware environment can play along/maintain this invention of reality in supporting the narrative, therefore removing itself from the players’ physical domain and merely adopting symbols or metaphorical representations from of this narrative.

uLearning “enables users to interact and learn with sensors and radio frequency identification (RFID) embedded objects in their surroundings… As a student moves around the learning area, the system can detect their location by reading and analysing the data from the nearest RFID tag. Consequently, assessment can be conducted to evaluate the learning performance of the student in the realworld” (Liu et Hwang, 2009b, p. 1 & 4)

References

Liu and Hwang. (2009).  A key step to understanding paradigm shifts in e-learning: towards context-aware ubiquitous learning.  British Journal of Educational Technology (2009) doi:10.1111/j.1467-8535.2009.00976.x

Liu and Hwang. (2009).  Learning spaces, learning environments and the dis‘placement’ of learning.  British Journal of Educational Technology (2009) doi:10.1111/j.1467-8535.2009.00974.x

http://edutechwiki.unige.ch/en/Ubiquitous_learning
http://en.wikipedia.org/wiki/Ubiquitous_learning 

• engagement in critical thinking and reflection tasks before the beginning/at the end of a lesson
• intra-/inter-group engagement
• first-person involvement
• cross-curricular learning (History, e.g.)
• the provision of 'rich tasks', whereby pupils can produce non-fiction investigations, engage with World War poetry
• group collaboration and competition (Whitton)
• used a source for personal journal writing

I have been thinking about Gee, Whitton in conjunction with the readings in Week 4 of my MEd (Chartered Teacher) course, which this week focuses on Cognitive Style and Formative Assessment.  Furthermore, do certain games and game genres appeal to users based on the Howard Gardner’s idea of Multiple Intelligence?

Cognitive Style

Richard Riding (Richard Riding , School Learning and Cognitive Style, 2002, David Fulton Publishers, London) defines the term cognitive style as an individual’s preferred and habitual approach to organising and representing information. He goes on to suggest that it may in fact be built into us and influence how we naturally tend to react to events and ideas.

If we recognise the way(s) in which we prefer to work, it allows us to develop strategies to work more effectively or to minimise our weaknesses. Riding proposes that there are different dimensions along which we are placed.

Firstly there is the: wholist – analytical dimension: whether a person organises information in wholes or parts. Secondly there is the: verbal – imagery dimension: whether a person represents information verbally or in mental pictures.

These two dimensions can be seen as if on two continuums, and can be represented as follows:
Within the wholist – analytical dimension wholists would see the overall picture (perhaps missing out on details);

While analytics would see a collection of different parts (perhaps sometimes concentrating on one or two parts to the exclusion of others).

Somewhere in the middle (and perhaps getting the best of both worlds) would be intermediates.

Perhaps this is what Gee is positing re subdomains, if one thinks about Vygotsky’s Zone of Proximal Development (ZPD) theory, and furthermore, I am aware of the multimodal aspect of digital games, and the second dimension is pertinent to the use of such games in adapting delivery for optimum reception by pupils. For instance, is the Nintendo Wii providing the necessary support for the kinesthetic learners as defined by Howard Gardner in his idea of Multiple Intelligences?.

Within the verbal – imagery dimension verbalisers would consider or represent information in words or through word associations while imagers would use mental pictures either of information or of things associated with it. Then somewhere in the middle again would be a group of bimodals.

Riding suggests that verbalisers will prefer stimulating environments with a social group helping them to develop or share meanings while imagers will prefer a more passive, static environment.  Does this have an effect on the predilection of some gamers for online collaborative gaming?  There seems to be little doubt that the pockets of digitial games-based and traditional learning is apposite within a classroom setting.   It would of course be possible to have different combinations of the dimensions, for example an analytic imager or a wholist verbaliser.  Riding goes on to state that someone’s preferred style doesn’t seem to relate to intelligence or ability and that ability would influence the level of performance while style would influence the manner of performance. He also says that it is separate from both personality and gender.

Cognitive style is the preferred manner of working but importantly learning strategies can be learned and developed to support or give alternatives to our first preference.

So, what does this all mean for learning, and in particular digital games based learning?

Well, learning performance is liable to be affected by an interaction between cognitive style and:

"The learner remains flexible, adapting performance in action." - 29. The Transfer Principle

This is key to effective learning and teaching.