This is one of a six-part series on how to harness data to reveal stories. It represents notes and follow-on links. If you want to take part in an exciting workshop to get your hands on real life data sets, create your own visualisations and learn how to share them, you can join me in Boston at Building Learning Communities for my pre-conference workshop this summer, or ask for it as one of our masterclass sessions. Many of the examples cited are from the information visualiser's Bible, Information is Beautiful: buy the book (in the UK | in the USA) or visit the blog.
Map overlays
Countries are not all given equal status in the learning we do/did at school. Map overlays show this.
Examples:
Take several of the world's richest and most prominent countries and see how many you can fit into an outline of Africa:
Take four of the world's four richest economies and see how many you can fit inside the richest of all: the United States. (Information is Beautiful, pp.61, 142-3, 202)
Everyone thinks their own country is bigger than it really is. The Brits are as guilty as anyone else. Just listen to the oohs and ahs at these proportionate maps, courtesy of Sheffield-based Alisdair Rae:
The BBC's How Big Really helps people understand the scale of issues around environmental disasters, the war on terror, disease and other global issues, but showing their extent atop the town or city where that person lives:
Real maps, abstract stories
Take a map whose coloration or name markings tell a different story. The master of this was CS Lewis with the maps for the Chronicles of Narnia:
Other examples:
Interactive Diabetes map of America
Flight pattern maps from The Endless City
A world of number ones - every country has to be great at something:
Proportionate Maps
A wonderful collection of maps from the University of Sheffield, UK, show the world map through different lenses to explore global issues. For example, population density as a map is amongst other concepts on WorldMapper:
Mind maps / Organised Mind Maps
Favoured by the Guardian for its coverage of large, complex economy issues, these give a lot of information and show how it relates:

Data is not boring. Data is not something that's just for math or science class, and it's a whole lot more than just being able to create a bar chart. It's about making more than the humble bar chart to start revealing hidden stories, and creating impact in the minds - and hearts - of those viewing it.
Since 2010 we've never had so much publicly available data about the way our lives are run, the environment, our geography, our history… But most of us don't know how to tap into the PDFs, tables, geocodes and charts to dig out the meaningful stories hidden in there. Learning how is one of the key new literacy skills our youngsters will need if they are to be fully participative members of society.
Over the next series of posts I'll show some ideas for helping students make sense of the world of data around them. In this post, explore some of the rationale behind harnessing data for learning.
There are two main reasons why data has become a hot topic in civic life, and, I think, will become a core area of learning literacies:
Data needs to tell stories with emotional impact, so learn data storycrafting literacies.
Charles Minard arguably created the first visualisation when he placed the entire Franco-Prussian war in a compact infographic, one that helps explain the death due to cold temperatures, trechid river crossings and low morale:
In the last decade we've seen students begin to explore data by converting tables of information into fairly static charts. They can be fascinating - this one explains why the UK was always destined for a coalition Westminster Government.
Recently, Google Maps have made data visualisation something that anyone can do in a few clicks, and create impactful stories of their own. For example, this site makes meaning out a story most people otherwise found hard to connect to: an oil spill in a foreign land means far less than visualising it over your own doorstep:
Over the next five blog posts I'll show how different forms of data can tell different stories, and hopefully offer some inspiration to maths, science and plenty of other subject teachers on how we can move beyond the graph.

This is one of a six-part series on how to harness data to reveal stories. It represents notes and follow-on links. If you want to take part in an exciting workshop to get your hands on real life data sets, create your own visualisations and learn how to share them, you can join me in Boston at Building Learning Communities for my pre-conference workshop this summer, or ask for it as one of our masterclass sessions. Many of the examples cited are from the information visualiser's Bible, Information is Beautiful: buy the book (in the UK | in the USA) or visit the blog.
Proportionate Images
More complex than a proportionate box, and even more so than a circle, see if students can make proportionate shapes to illustrate facts.
Examples:
Relative child poverty by nation
Relative costs of insuring parts of your body (Information is Beautiful, pp26, 60, 151)
Sensitivity of body by nerve endings:
Relative sensitivity/desirability ratio of body parts (note: Not Particularly Safe for Certain Places of Work, but ideal as a starter for ten on personal, social and health discussions):

This is one of a six-part series on how to harness data to reveal stories. It represents notes and follow-on links. If you want to take part in an exciting workshop to get your hands on real life data sets, create your own visualisations and learn how to share them, you can join me in Boston at Building Learning Communities for my pre-conference workshop this summer, or ask for it as one of our masterclass sessions. Many of the examples cited are from the information visualiser's Bible, Information is Beautiful: buy the book (in the UK | in the USA) or visit the blog.
Boxes and Bar Charts
Potentially the most boring of all graphing, these can be really entertaining, shocking or thought-provoking. Or all three. Seek the greatest differences in data to make maximum impact. Seek to overlay boxes where relativity is important, or to lay them side to side where you want to compare like for like.
Example:
Clay Shirky's Cognitive Surplus explained in a picture
Debtris UK or Debtris USA versions:
Proportionate Circles
Lining up or superimposing circles of proportionately varying size helps emphasise the parts that make up any whole.
Examples:
How you spend your life and The shocking truth of conviction rates for rape in England and Wales (overlapping circles): Information is Beautiful pp.196-199.
The Sunday Times' News roundup of 2010:
Snake Oil? Are natural remedies all they're cracked up to be?
Gapminder
This is a free-to-download application that amasses some of the most authoritative (but dense) information in the world, and helps you spot trends amongst countries and within continents. Look at how Hans Rosling manipulates data to tell stories, in the BBC Clip below, for example, and then set students the challenge of finding their own 'shocking truths' within the available axis:

This is one of a six-part series on how to harness data to reveal stories. It represents notes and follow-on links. If you want to take part in an exciting workshop to get your hands on real life data sets, create your own visualisations and learn how to share them, you can join me in Boston at Building Learning Communities for my pre-conference workshop this summer, or ask for it as one of our masterclass sessions. Many of the examples cited are from the information visualiser's Bible, Information is Beautiful: buy the book (in the UK | in the USA) or visit the blog.
Annotated graphing
Take a graph that would otherwise be a boring squiggle and present us with startling or surprising information as annotated text.
Examples:
Breakups, as monitored through Facebook Status Updates of "… just ended a relationship"
Mountains out of Molehills - column inches presented as a molehill graph.
Contrast image and (in words) story
Images can be used to make us smile, while words portray the deep, shocking truth.
Example:
Murderous dictators by facial hair (Information is Beautiful, p.172)
Calligram
Write a text that takes the shape of the thing you are describing, adding proportionality or geography to add another level of meaning.
Example:
The Great Chinese Firewall as shown through websites that are blocked from coming into China and searches that are forbidden within it, in the form of a verbal map.
Proportionate Words
The data cliché of Wordle stops being a cliché when it makes a point.
Try Tagcrowd if you want to delimit the words and have a more accurate representation of the words that matter (i.e. by automatically getting rid of pronouns, articles etc).
Example:
Compare political bias in newspapers by TagCrowding the same story across tabloids, right and leftist papers.
Copy and paste speeches by politicians who speak about the same issues, and see what really interests them: Obama's vision for education:
versus that of English Education Secretary, Michael Gove:

Listening to a presentation in Belfast from m'old colleague Andrew Brown from LTS, he reminds me of this quote from blogger, storyteller and, yes, content-creator Cory Doctorow, pictured:
Content isn't king. If I sent you to a desert island and gave you the choice of taking your friends or your movies, you'd choose your friends -- if you chose the movies, we'd call you a sociopath. Conversation is king. Content is just something to talk about.
One of the key points I've been driving in the past year has been the importance of schools providing places for conversations and exploration to take place, perhaps through a design thinking-based pedagogy and process. Such a process takes the onus off the teacher to be the one preparing resources for children, effectively doing the learning for the youngster. Instead, it forces interaction around content, rather than content to be consumed or 'learnt', to take centre stage.
Pic from Joi

This is a summary of the talk I delivered at the Norfolk ICT 2011 Conference, expanding on my TES editorial back in January.
During the final half of 2010, I asked more than 1,500 teachers around the globe two questions: what are your happiest memories from learning at school, and what are your least happy experiences?
When I do the "reveal" of what I think their answers will be, every workshop has a "but how did he know?" reaction. It's more akin to an audience's response to illusionist Derren Brown than to the beginning of a day of professional development.
For teachers' answers are always the same. At the top is "making stuff", then school trips, "feeling I'm making a contribution" and "following my own ideas". Their least happy experiences are "a frustration at not understanding things", "not having any help on hand" and "being bored", mostly by "dull presentations". "Not seeing why we had to do certain tasks" appeared in every continent.
Most of these educators agreed that the positive experiences they loved about school were too few, and were outnumbered by the "important but dull" parts of today's schooling: delivering content, preparing for and doing exams.
But while a third of teachers generally remember "making stuff" as their most memorable and happy experience at school, we see few curricula where "making stuff" and letting students "follow their own ideas" makes up at least a third of the planned activity.
Design Thinking: the creative industries' framework for relentless creativity
Coined by design superstars IDEO, "Design Thinking" in a simple form is a four-part process of thinking and acting that I see replicated in every successful creative company in film, television, web startups or marketing with whom I work. I see it in some of our most creative classrooms, too.
It all starts with a genuine realworld problem that needs solving, not a pseudo-problem of the variety we see in textbooks. For example:
We then follow these four stages of problem-solving:
Immersion
Immersion is not just unleashing youngsters with a sketchbook, or sending them off to Google to find out everything they can on a topic. It's about students working hard to gain empathy with those affected by the problem they've encountered. It's about putting oneself in the shoes of another and capturing all the emotions, feelings, facts, viewpoints possible. This can be done in a huge number of ways, but capturing these insights we must: on digital photographs, cell phone audio recordings or videos, post-it notes, documents...
The most important part is for students not to try to solve the problem, but merely delve into it, and understand it from as many perspectives as possible. It is also vital that the problem comes from the students, as much as possible. Note in this short clip how the 'obvious' learning point of activities around sand is replaced by what the three and four year olds are interested in: the truck that delivers the sand:
Synthesis
Every idea that has been captured needs to be brought together, preferably in a project space, a project corner, so that teams of students can work to find
Look at the IDEO team in action, one week over two minutes, in this clip, and you'll see how a ton of messy, asbtract information comes together into organised thoughts ready for turning into ideas:
The teacher's role in this stage, as in immersion, is critical, but not as deliverer of knowledge. The teacher's role is that of key questioner. Good questioning technique is the most important skill to master to pull this creative process off, and there are some structures you can use to help. The G.R.O.W model and similar coaching models are such frameworks to help frame questions at each level of the project's thinking (short, medium and long-term):
Mhairi Stratton, formerly at Humbie Primary School in East Lothian, Scotland, introduced me to this way of thinking, and she has seen other benefits coming from this way of 'coaching' students to success:
'The whole school is benefitting because the pupils are involving the other class and sharing their learning with them.
‘Pupils are now identifying what resources they need, and why, and then working out how to source these.
‘This is also having a very positive effect on parental involvement as the pupils are also discussing their learning more at home and often asking them to provide the resources!’
Ideation
Actually coming up with solutions to a problem comes quite late on in the process. In schools, most of the time, though, the problem has been defined by a teacher or a textbook and most learners are thrust into the creative process at this point, at the point when the process is nearly over!
Ideation can be simple brainstorming, or it can rely on a greater box of mental tools to stimulate better, more unexpected, more sustainable ideas. For example:
This kind of pupil-led learning creates entrepreneurial, confident individuals. Professor Sugata Mitra's work shows that children in Indian slums are able to teach themselves and each other when provided with a computer kiosk on a street corner and access to the internet.
Within six weeks of starting my teaching career in the UK in 2002, I was fortunate to take up a spot on a small delegation to New Brunswick, Canada. There, since the 1970s, pupils have been achieving stellar results through experiential, project-based learning in which they have the lion's share of control over what is learnt, with whom and using what resources. And they have done it in a language that is not their mother tongue.
Yet the thought of allowing 30 assorted children at a time - or 90 at a time in the supersize classes I saw in New Brunswick - "free rein" upsets even the most innovative of educators. Far better to set a project theme for them; at least we know we will cover what we need to cover.
Prototyping
On the other side of the world in New Zealand, at Auckland's Albany Senior High School, deputy head Mark Osborne gives his pupils free rein every Wednesday through impact projects. "It can take weeks of discussion, reading and searching, but once you have struck their passion, their eyes light up and you can't stop them," he says.
Pupils have built a VW "Herbie" car, a rocket and a content delivery platform for the school's plasma screen system, inadvertently undercutting the commercial outfit pitching to the local university by NZ$280,000 (£137,682).
As US academic Professor Roger Schank puts it: "There is really only one way to learn how to do something, and that is to do it."
Over in California stands High Tech High, set up in San Diego in 2000 as a charter school. It was created with support from local businesses as an environment that would help fill the skills and attitudes gaps faced by the area's technology industries. Principal Larry Rosenstock believes that until teachers identify their own passions they cannot hope to facilitate the experience for pupils.
Further up the coast in San Francisco, Gever Tulley is developing his Tinkering School, an educational experiment with big ambitions currently acting as a one-week summer school.
Pupils learn by building bridges from dumped plastic bags, roller coasters from old crates or villages on stilts designed to provide secret niches for reading. The ideas come wholly from the seven-year-old collaborators and staff work tirelessly to spot and reinforce the learning opportunities inherent in the build. Elements of physics, mathematics, design, art, music and language are all wrapped in the vital skills of the 21st century for which there is, thankfully, no subject: ingenuity, collaboration, experimentation, failure and storytelling.
Don't think. Try.
Harnessing entirely pupil-led, project-based learning in this way isn't easy. But all of this frames learning in more meaningful contexts than the pseudocontexts of your average school textbook or contrived lesson plan, which might cover an area of the curriculum but leave the pupil none the wiser as to how it applies in the real world.
There is a line that haunted me last year: while pupil-led, project-based learning is noble and clearly more engaging than what we do now, there is no time for it in the current system. The implication is that it leads to poorer attainment than the status quo. But attainment at High Tech High, in terms of college admissions, is the same as or better than private schools in the same area.
The assumption that pupil-led, project-based learning offers less success in exams is a false but persistent one. John Hunter was the anatomist who defined modern medicine because, frankly, no one else had. He had a saying that has since become the mantra of the modern surgeon: "Don't think. Try the experiment."
Innovations in education that engage young people and have the most profound impact will not occur because someone told teachers what to do and how they should do it. They won't come by tinkering with the curriculum or seeking the perfect balance of assessment. The most important changes in learning this decade will come around because someone, a teacher, maybe you, thought that things weren't what they could be and that something new was worth a try. They will get together with colleagues and make time to talk through the possible and seemingly impossible. And then they will go and try it out.
Don't think (too hard). Try.

When you listen to four politicians responsible for education and lifelong learning in their parties, it's remarkably easy to spot those with some savvy and those who choose to waffle on the clichés they think we want to hear.
At the Scotland on Sunday Education hustings this week the current Education Minister, Mike Russell, was at home sick, so the SNP's Lifelong Learning and Skills Minister Angela Constance took up the reins for the debate. She was joined by Des McNulty (Labour), Elizabeth Smith (Conservatives) and Margaret Smith (Liberal Democrats).
For all that she was a lastminute panel replacement, Constance was the only one speaking in terms of action, policy with the facts to back it up, with experience rooted in what she has seen herself in Scottish schools, on teacher unions' understandings of the current state of play and on the latest research, some of it commissioned by her Government over the past four years.
The others delivered platitudes, meaningless statements ("less indiscipline", "more testing", "more rigour") without any indication of what role a Government would play in achieving them.
Are we not all literacy and numeracy teachers?
Des McNulty from Labour believes that Scottish education is 'in a mess' because of decisions from the current Government and from Local Authorities themselves. He wants add 1000 extra teachers to lead on literacy and numeracy, despite the fact that when I was a teacher under his Government I distinctly remember them spearheading the approach of "every teacher is a teacher of literacy and numeracy".
The best practice from around the world shows that integrating higher aspirations for all children's literacy and numeracy throughout their curriculum leads to greater achievement in these areas, something that works the other way, too: skills learnt in one subject area are useful elsewhere.
That's why Scotland's Curriculum for Excellence is so vital: it's less something to be "implemented" from on high (with screeds of policy documents and advice sheets) and instead embraced from the teaching community, who, rightly, can expect more videoed examples from inside classrooms where the planning, the tactics and the teaching style can be observed in virtual-first-hand terms. A visit to the Journey to Excellence or Learning and Teaching Scotland websites shows that the current SNP Government have done just that, and the process of changing the habits of 150 years is well on its way - although it was always going to take longer than 4 years to see a wholesale 180 degree change in practice.
We're talking about upending existing notions of how we timetable, moving towards longer periods of learning, less movement around secondary schools, more practice emulating that of the primary school environment. This is what's increasing attainment in reading, writing and 'rithmetic in schools like the Stovner School in Norway, and countless other schools in the small-country systems we like to fetichise.
The opposite is what we see in England under Gove, whereby the Education Bill makes reference to "The Importance of Teaching" without looking carefully at what makes the best conditions for learning. Not only that, it does away with the key institutions for developing the quality of teachers in our classrooms.
Labour & Tory: Drive standards, test more
McNulty's other key platitude was that he wants to "drive standards with teachers". But what does that mean? Does he, along with his Conservative companion Elizabeth Smith, want to introduce "more rigourous testing, earlier, before students move on to secondary", testing the growth of our youngsters by pulling up their roots every six weeks? Do he and Smith want to increase the importance of "passing the test" later in school, and emulate the disastrous attempts to introduce "rigour" in the United States, which has left the arts, creativity and any teaching and learning outside the test out in the cold?
Greater rigour, and a return to 'traditional methods' as Smith put it, will meet only with disdain from our students, disengaging more of them at every turn. Look at what happened in Jamie Oliver's Channel 4 "Dream School" when Professor David Starkey, no doubt one of the greatest historians of his era with unbeatable knowledge, was unable to demonstrate, let alone inspire in his students, the kinds of soft skills so often berated by those who talk of "rigour": he exhibitted everything that's wrong with "rigour" in the classroom. Soft skills, which Starkey himself sees as less important than acquiring discreet areas of knowledge, would have saved him and his students much pain and embarrassment.
And engaging kids isn't about pandering to their whims. As David Price points out in his recent post on the Channel 4 series, engaging students is about appealing to their emotions, and, without that engagement of brain and emotion, deep learning cannot occur.
"I want to do something about indiscipline… [cue: tumbleweed]"
Finally, McNulty got tough: "I want to do something about indiscipline." Great. How? I do believe teachers have been trying for some time, and some of us have started to work out what it comes down to. It's about engaging students in the first place (see above, "Rigour"), involving parents more (they need to want to be involved, though - dragging kicking and screaming, parent or child, tends toward the ineffective), getting better in-class training on handling different types of students and support from better school leaders. Tell us, please, what your potential Government's role is in helping what we're trying to do already go faster, deeper, quicker.
Teaching the Teachers
While only the Tories are still daft enough now to think that Scottish students want to pay for their higher education, with Labour having changed their old position recently to align to that of the SNP, it was only the SNP who seem to have made the connection between Higher Education in general and those vital programmes that teach the teachers.
The Donaldson Report, commissioned by the SNP Government shows in no uncertain terms that higher investment in (free) teacher training is the only way to achieve long-term success in our classrooms. Not more testing. Not more textbooks. Not, as the SNP have nonetheless delivered, the smallest class sizes in Scotland's history (smaller class sizes inevitably make the teacher's job in developing youngsters easier). McKinsey's most recent research, as well as their 2007 report, repeatedly points out that teacher quality remains the sole factor in differentiating the average from the not-so-average education systems. Initial teacher education, yes, but above all continuing professional development.
This is one area, everywhere in the world, where Governments, teacher unions and teachers themselves can only ever work harder. It's mostly down to money and attitudes in the workforce - teachers need to know they can take up courses, take protected time out to reflect and do so without being told at the last minute they need to take the RE teacher's class again.
It is the SNP that has led the debate on Higher Education with the belief that higher education benefits society, not just the individual, says Angela Constance. She's right.
Invest in education and, generally, you always get more out the other side, and at least make some savings on the other budgets. Underspend or spend in the wrong places in education, and you might just break even, but the costs will re-emerge in health, justice and employment later on.
Education is the only Government spending area that really represents an investment. Everything else is spend. If we invest in education, in helping teachers improve day-by-day, the rest begins to fall into place.
[disclaimer: My company is currently working with the SNP on their election campaign's digital strategy. The views on this post are my own]
In a four-part video series for GETideas I travelled the world in 24 hours and asked four educators I admire what their "two stars and a wish" for learning would be for 2011. I'll blog the films here over the next week.
In the last of our four films this week, Gever Tulley, founder of The Tinkering School and author of 50 Dangerous Things, Montara, CA, USA, thinks that we are forgetting about one of the most crucial parts of learning in the quest to increase the scope of learning in science, technology, engineering and maths:
"The first interesting thing about this interview was the speed - or lack of it - in the internet connection. Gever, and the rest of the West Coast of the USA, had just awoken and, as happens every day in late afternoon London time, the connection speed dropped to a snail's pace. This, even in a country like the UK, is part of the real digital divide that still exists.
"Gever feels that we're finally seeing the integration of technology to the learning fabric of the school. The best programmes seem to be those where there's a hands-off approach, where students are trusted to bring in and use their own devices and ideas. The iPad has become the companion of choice for youngsters on their learning journeys in this corner of California, where ad hoc, on demand research enrichens the experience and conversation that Gever and his collaborators have with the learners.
"We're figuring out the value of the creative programmes that, in these tough economic times, have been cut. As we erode children's exposure to the arts we also erode the opportunity that science is beginning to reveal: for example, that a child who plays music at a young age happens to do better, longer than those who don't.
"We need to stop relegating the vocational arts to secondary programmes and start embracing making and doing as part of the regular educational experience for both kids and adults."
